Pieces that are purely auditive and have a fixed form. Some were assembled in the form of albums to be released on CD for private home listening. Others were composed in multi-channel formats and can only be diffused in an electroacoustic concert. I am interested in being directed by algorithmic processes rather than an ‘ad libidum’ style of manual painting on the time canvas, with the aim of bringing together the sensual quality of electroacoustic music and the formal rigour (and surprise) of computer music.
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