Writings

Below is a list of artistic and academic publications. Please visit my profile at Academia.edu for links to full-text PDFs.

Essays and Artistic Writings

  • Castillo, Nayarí, and Hanns Holger Rutz, eds. 2021. Algorithmische Segmente | Algorithmic Segments. Graz: Reagenz Verlag.
    @book{rutz2021algorithmic,
      title = {Algorithmische Segmente | Algorithmic Segments},
      keywords = {artistic},
      editor = {Castillo, Nayarí and Rutz, Hanns Holger},
      address = {Graz},
      publisher = {Reagenz Verlag},
      isbn = {978-3-9504622-3-4},
      year = {2021}
    }
    
  • Rutz, Hanns Holger. 2021. “Don’t Look Back.” In In|Filtration Catalogue, edited by Nayarí Castillo. Graz: Reagenz Verlag. Forthcoming.
    @incollection{rutz2021dont,
      author = {Rutz, Hanns Holger},
      title = {Don't Look Back},
      keywords = {artistic},
      booktitle = {in|filtration Catalogue},
      editor = {Castillo, Nayarí},
      publisher = {Reagenz Verlag},
      address = {Graz},
      pubstate = {forthcoming},
      year = {2021}
    }
    
  • ———. 2021. “Lob Der Gleichformen | In Praise of Equiforms.” In Algorithmische Segmente | Algorithmic Segments, edited by Nayarí Castillo and Hanns Holger Rutz, 58–67. Graz: Reagenz Verlag.
    @incollection{rutz2021equiforms,
      author = {Rutz, Hanns Holger},
      title = {Lob der Gleichformen | In Praise of Equiforms},
      keywords = {artistic},
      booktitle = {Algorithmische Segmente | Algorithmic Segments},
      editor = {Castillo, Nayarí and Rutz, Hanns Holger},
      publisher = {Reagenz Verlag},
      address = {Graz},
      pages = {58--67},
      year = {2021}
    }
    
  • Castillo, Nayarí, and Hanns Holger Rutz. 2019. “Mexikanischer Tumulus.” In Demokratie Und Frieden Auf Der Straße: Comrade Conrade. Ein Kunst-, Forschungs- Und Friedensprojekt in Graz 2016–2019, edited by Nicole Pruckermayr, 124–26. Graz: CLIO Verlag.
    @incollection{castillo2019mexikanischer,
      author = {Castillo, Nayarí and Rutz, Hanns Holger},
      title = {Mexikanischer Tumulus},
      keywords = {artistic},
      booktitle = {Demokratie und Frieden auf der Straße: Comrade Conrade. Ein Kunst-, Forschungs- und Friedensprojekt in Graz 2016--2019},
      editor = {Pruckermayr, Nicole},
      publisher = {CLIO Verlag},
      address = {Graz},
      pages = {124--126},
      isbn = {978-3-902542-79-3},
      year = {2019}
    }
    
  • ———, eds. 2018. Schwärmen + Vernetzen | Swarming + Networking. Movement Profiles of the Holobiont, Impulses for Transdisciplinary Artistic Processes. Graz: Reagenz Verlag.
    @book{rutz2018schwaermen,
      title = {schwärmen + vernetzen | swarming + networking. Movement profiles of the {H}olobiont, impulses for transdisciplinary artistic processes},
      keywords = {artistic},
      editor = {Castillo, Nayarí and Rutz, Hanns Holger},
      address = {Graz},
      publisher = {Reagenz Verlag},
      isbn = {978-3-9504622-0-3},
      year = {2018}
    }
    
  • Rutz, Hanns Holger. 2018. “Eine Null Schiebt Sich Zwischen Eins Und Acht | A Zero Moves Between One and Eight.” In Schwärmen + Vernetzen | Swarming + Networking. Movement Profiles of the Holobiont, Impulses for Transdisciplinary Artistic Processes, edited by Nayarí Castillo and Hanns Holger Rutz, leporello. Graz: Reagenz Verlag.
    @incollection{rutz2018zero,
      author = {Rutz, Hanns Holger},
      title = {Eine Null schiebt sich zwischen Eins und Acht | A Zero Moves Between One and Eight},
      keywords = {artistic},
      booktitle = {schwärmen + vernetzen | swarming + networking. Movement profiles of the {H}olobiont, impulses for transdisciplinary artistic processes},
      editor = {Castillo, Nayarí and Rutz, Hanns Holger},
      publisher = {Reagenz Verlag},
      address = {Graz},
      pages = {leporello},
      year = {2018}
    }
    
  • ———, ed. 2017. Imperfect Reconstruction. An Algorithmic Project by Lisa Horvath, David Pirrò, Hanns Holger Rutz. Graz: esc media art laboratory.
    @book{rutz2017imperfect,
      editor = {Rutz, Hanns Holger},
      title = {{I}mperfect {R}econstruction. {A}n algorithmic project by {L}isa {H}orvath, {D}avid {P}irrò, {H}anns {H}olger {R}utz},
      keywords = {artistic},
      publisher = {esc media art laboratory},
      address = {Graz},
      isbn = {978-3-9503349-1-3},
      year = {2017}
    }
    
  • Castillo, Nayarí, Gertrude Grossegger, and Hanns Holger Rutz. 2017. “Schwärmen + Vernetzen. Transdisziplinäres Kunstprojekt.” Lichtungen. Zeitschrift Für Literatur, Kunst Und Zeitkritik XXXVIII (151): 155–70.
    @article{rutz2017schwaermen,
      author = {Castillo, Nayarí and Grossegger, Gertrude and Rutz, Hanns Holger},
      title = {schwärmen + vernetzen. {T}ransdisziplinäres {K}unstprojekt},
      keywords = {artistic},
      journal = {Lichtungen. Zeitschrift für Literatur, Kunst und Zeitkritik},
      volume = {XXXVIII},
      number = {151},
      pages = {155--170},
      issn = {1012-4705},
      year = {2017}
    }
    
  • Rutz, Hanns Holger. 2017. “Escaping, Prolonging.” In Imperfect Reconstruction. An Algorithmic Project by Lisa Horvath, David Pirrò, Hanns Holger Rutz, 54–57. Graz: esc media art laboratory.
    @incollection{rutz2017escaping,
      author = {Rutz, Hanns Holger},
      title = {Escaping, Prolonging},
      keywords = {artistic},
      booktitle = {{I}mperfect {R}econstruction. {A}n algorithmic project by {L}isa {H}orvath, {D}avid {P}irrò, {H}anns {H}olger {R}utz},
      publisher = {esc media art laboratory},
      address = {Graz},
      pages = {54--57},
      year = {2017}
    }
    
  • Rutz, Hanns Holger, and David Pirrò. 2017. “Where Sounds Dwell.” In Rose of the Winds. A Semantic Compass of Post-Habsburg Europe, edited by Kate Howlett-Jones and Nayarí Castillo, 74–79. Graz: The Daily Rhythms Collective.
    @incollection{rutz2017where,
      author = {Rutz, Hanns Holger and Pirrò, David},
      title = {Where Sounds Dwell},
      keywords = {artistic},
      booktitle = {Rose of the Winds. A semantic compass of post-Habsburg Europe},
      editor = {Howlett-Jones, Kate and Castillo, Nayarí},
      address = {Graz},
      publisher = {The Daily Rhythms Collective},
      pages = {74--79},
      isbn = {978-3-9504253-1-4},
      year = {2017}
    }
    
  • Rutz, Hanns Holger. 2014. “Particularities and Generalities. Considerations on the Sound Composition.” Forecast:Turbulence. Workshop:Exhibition, 64–67.
    @article{rutz2014generalities,
      author = {Rutz, Hanns Holger},
      title = {Particularities and Generalities. Considerations on the Sound Composition},
      keywords = {artistic},
      journal = {Forecast:Turbulence. Workshop:Exhibition},
      pages = {64--67},
      year = {2014}
    }
    
  • ———. 2012. “Composing Alongside Paradoxes.” Explore Dream Discover: Journal of the Peninsula Contemporary Music Festival, 5.
    @article{rutz2012composing,
      author = {Rutz, Hanns Holger},
      title = {{Composing Alongside Paradoxes}},
      keywords = {artistic},
      journal = {Explore Dream Discover: Journal of the Peninsula Contemporary Music Festival},
      pages = {5},
      year = {2012}
    }
    

Academic Writings

Book Chapters

  • Rutz, Hanns Holger. 2021. “Human-Machine Simultaneity in the Compositional Process.” In Handbook of Artificial Intelligence for Music, edited by Eduardo Reck Miranda, 21–51. Springer International Publishing. doi: 10.1007/978-3-030-72116-9_2
    @incollection{rutz2021humanmachine,
      author = {Rutz, Hanns Holger},
      title = {Human-Machine Simultaneity in the Compositional Process},
      booktitle = {Handbook of Artificial Intelligence for Music},
      editor = {Miranda, Eduardo Reck},
      publisher = {Springer International Publishing},
      isbn = {978-3-030-72115-2},
      pages = {21--51},
      year = {2021},
      doi = {10.1007/978-3-030-72116-9_2}
    }
    
  • ———. 2018. “Algorithms under Reconfiguration.” In Transpositions: Aesthetico-Epistemic Operators in Artistic Research, edited by Michael Schwab, 149–76. Leuven: Leuven University Press. doi: 10.26530/OAPEN_1000226
    @incollection{rutz2018algorithms,
      author = {Rutz, Hanns Holger},
      title = {Algorithms under Reconfiguration},
      booktitle = {Transpositions: Aesthetico-Epistemic Operators in Artistic Research},
      editor = {Schwab, Michael},
      publisher = {Leuven University Press},
      address = {Leuven},
      pages = {149--176},
      year = {2018},
      doi = {10.26530/OAPEN_1000226}
    }
    
  • Harnik, Elisabeth, Hanns Holger Rutz, and Gerhard Nierhaus. 2015. “Elisabeth Harnik/Improvisational Re-Assemblies.” In Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition, edited by Gerhard Nierhaus, 9–32. New York: Springer. doi: 10.1007/978-94-017-9561-6_2
    @incollection{rutz2015harnik,
      author = {Harnik, Elisabeth and Rutz, Hanns Holger and Nierhaus, Gerhard},
      title = {{Elisabeth Harnik/Improvisational Re-assemblies}},
      booktitle = {Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition},
      editor = {Nierhaus, Gerhard},
      publisher = {Springer},
      address = {New York},
      pages = {9--32},
      year = {2015},
      doi = {10.1007/978-94-017-9561-6_2}
    }
    
  • Reiter, Eva, Hanns Holger Rutz, and Gerhard Nierhaus. 2015. “Eva Reiter/Wire Tapping the Machine.” In Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition, edited by Gerhard Nierhaus, 59–84. New York: Springer. doi: 10.1007/978-94-017-9561-6_4
    @incollection{rutz2015reiter,
      author = {Reiter, Eva and Rutz, Hanns Holger and Nierhaus, Gerhard},
      title = {{Eva Reiter/Wire Tapping the Machine}},
      booktitle = {Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition},
      editor = {Nierhaus, Gerhard},
      publisher = {Springer},
      address = {New York},
      pages = {59--84},
      year = {2015},
      doi = {10.1007/978-94-017-9561-6_4}
    }
    
  • Sköld, Matthias, Hanns Holger Rutz, and Gerhard Nierhaus. 2015. “Matthias Sköld/A Topography of Personal Preferences.” In Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition, edited by Gerhard Nierhaus, 209–29. New York: Springer. doi: 10.1007/978-94-017-9561-6_10
    @incollection{rutz2015skoeld,
      author = {Sköld, Matthias and Rutz, Hanns Holger and Nierhaus, Gerhard},
      title = {{Matthias Sköld/A Topography of Personal Preferences}},
      booktitle = {Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition},
      editor = {Nierhaus, Gerhard},
      publisher = {Springer},
      address = {New York},
      pages = {209--229},
      year = {2015},
      doi = {10.1007/978-94-017-9561-6_10}
    }
    
  • Toufektsis, Orestis, Hanns Holger Rutz, and Gerhard Nierhaus. 2015. “Orestis Toufektsis/Chords in a Black Box.” In Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition, edited by Gerhard Nierhaus, 165–87. New York: Springer. doi: 10.1007/978-94-017-9561-6_8
    @incollection{rutz2015toufektsis,
      author = {Toufektsis, Orestis and Rutz, Hanns Holger and Nierhaus, Gerhard},
      title = {{Orestis Toufektsis/Chords in a Black Box}},
      booktitle = {Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition},
      editor = {Nierhaus, Gerhard},
      publisher = {Springer},
      address = {New York},
      pages = {165--187},
      year = {2015},
      doi = {10.1007/978-94-017-9561-6_8}
    }
    
  • Rutz, Hanns Holger. 2011. “SwingOSC.” In The SuperCollider Book, edited by Scott Wilson, David Cottle, and Nick Collins, 305–38. Cambridge, MA: MIT Press.
    @incollection{rutz2011swingosc,
      author = {Rutz, Hanns Holger},
      title = {{SwingOSC}},
      booktitle = {{The SuperCollider Book}},
      editor = {Wilson, Scott and Cottle, David and Collins, Nick},
      publisher = {MIT Press},
      address = {Cambridge, MA},
      pages = {305--338},
      year = {2011}
    }
    

Journal Articles

  • Rutz, Hanns Holger. 2017. “Halting Operations for Algorithmic Alignment.” Journal of Science and Technology of the Arts (CITAR) 9 (3): 7–20. doi: 10.7559/citarj.v9i3.416
    @article{rutz2017halting,
      author = {Rutz, Hanns Holger},
      title = {Halting Operations for Algorithmic Alignment},
      journal = {Journal of Science and Technology of the Arts (CITAR)},
      volume = {9},
      number = {3},
      pages = {7--20},
      year = {2017},
      doi = {10.7559/citarj.v9i3.416}
    }
    
  • ———. 2016. “Agency and Algorithms.” Journal of Science and Technology of the Arts (CITAR) 8 (1): 73–83. doi: 10.7559/citarj.v8i1.223
    @article{rutz2016agency,
      author = {Rutz, Hanns Holger},
      title = {Agency and Algorithms},
      journal = {Journal of Science and Technology of the Arts (CITAR)},
      volume = {8},
      number = {1},
      pages = {73--83},
      year = {2016},
      doi = {10.7559/citarj.v8i1.223}
    }
    

PhD Thesis

  • Rutz, Hanns Holger. 2014. “Tracing the Compositional Process. Sound Art That Rewrites Its Own Past: Formation, Praxis and a Computer Framework.” PhD thesis, UK: Plymouth University. http://hdl.handle.net/10026.1/3116
    @phdthesis{rutz2014tracing,
      author = {Rutz, Hanns Holger},
      title = {Tracing the Compositional Process. Sound art that rewrites its own past: formation, praxis and a computer framework},
      school = {Plymouth University},
      address = {UK},
      year = {2014},
      url = {http://hdl.handle.net/10026.1/3116}
    }
    

Conference Papers (Peer-Reviewed)

  • Rutz, Hanns Holger, and Nayarí Castillo. 2021. “In|Fibrillae.” In Proceedings of 9th Conference on Computation, Communication, Aesthetics & X (XCoAx), edited by Miguel Carvalhais, Mario Verdicchio, Luísa Ribas, and André Rangel, 497–503. Porto: i2ADS, University of Porto. https://2021.xcoax.org/data/pdf/xCoAx2021-RutzCastillo.pdf
    @inproceedings{rutz2021infibrillae,
      author = {Rutz, Hanns Holger and Castillo, Nayarí},
      title = {in|fibrillae},
      booktitle = {Proceedings of 9th Conference on Computation, Communication, Aesthetics \& X (xCoAx)},
      editor = {Carvalhais, Miguel and Verdicchio, Mario and Ribas, Luísa and Rangel, André},
      address = {Porto},
      publisher = {i2ADS, University of Porto},
      isbn = {978-989-9049-06-2},
      pages = {497--503},
      year = {2021},
      url = {https://2021.xcoax.org/data/pdf/xCoAx2021-RutzCastillo.pdf}
    }
    
  • ———. 2021. “Three Spaces.” In Proceedings of 9th Conference on Computation, Communication, Aesthetics & X (XCoAx), edited by Miguel Carvalhais, Mario Verdicchio, Luísa Ribas, and André Rangel, 290–306. Porto: i2ADS, University of Porto. https://2021.xcoax.org/data/pdf/xCoAx2021-Rutz.pdf
    @inproceedings{rutz2021three,
      author = {Rutz, Hanns Holger and Castillo, Nayarí},
      title = {Three Spaces},
      booktitle = {Proceedings of 9th Conference on Computation, Communication, Aesthetics \& X (xCoAx)},
      editor = {Carvalhais, Miguel and Verdicchio, Mario and Ribas, Luísa and Rangel, André},
      address = {Porto},
      publisher = {i2ADS, University of Porto},
      isbn = {978-989-9049-06-2},
      pages = {290--306},
      year = {2021},
      url = {https://2021.xcoax.org/data/pdf/xCoAx2021-Rutz.pdf}
    }
    
  • ———. 2021. “Simultaneous Writing (Machines).” In Proceedings of 7th Colloquium on Artistic Research in Performing Arts (CARPA). Helsinki: Theatre Academy, University of the Arts Helsinki. Forthcoming.
    @inproceedings{rutz2021simultaneous,
      author = {Rutz, Hanns Holger and Castillo, Nayarí},
      title = {Simultaneous Writing (Machines)},
      booktitle = {Proceedings of 7th Colloquium on Artistic Research in Performing Arts (CARPA)},
      address = {Helsinki},
      publisher = {Theatre Academy, University of the Arts Helsinki},
      pubstate = {forthcoming},
      year = {2021}
    }
    
  • Rutz, Hanns Holger. 2020. “A Pattern System for Sound Processes.” In Proceedings of the 15th International Conference on Audio Mostly, 93–100. AM ’20. New York, NY, USA: Association for Computing Machinery. doi: 10.1145/3411109.3411151
    @inproceedings{rutz2020pattern,
      author = {Rutz, Hanns Holger},
      title = {A Pattern System for Sound Processes},
      booktitle = {Proceedings of the 15th International Conference on Audio Mostly},
      series = {AM '20},
      publisher = {Association for Computing Machinery},
      address = {New York, NY, USA},
      location = {Graz, Austria},
      isbn = {9781450375634},
      pages = {93–100},
      year = {2020},
      doi = {10.1145/3411109.3411151}
    }
    
  • Rutz, Hanns Holger, and David Pirrò. 2018. “Körper.” In Proceedings of 6th Conference on Computation, Communication, Aesthetics & X (XCoAx), edited by André Rangel, Luísa Ribas, Mario Verdicchio, and Miguel Carvalhais, 176–80. Porto: Universidade do Porto. http://2018.xcoax.org/pdf/xCoAx2018-Rutz.pdf
    @inproceedings{rutz2018koerper,
      author = {Rutz, Hanns Holger and Pirrò, David},
      title = {Körper},
      booktitle = {Proceedings of 6th Conference on Computation, Communication, Aesthetics \& X (xCoAx)},
      editor = {Rangel, André and Ribas, Luísa and Verdicchio, Mario and Carvalhais, Miguel},
      address = {Porto},
      publisher = {Universidade do Porto},
      pages = {176--180},
      year = {2018},
      url = {http://2018.xcoax.org/pdf/xCoAx2018-Rutz.pdf}
    }
    
  • Rutz, Hanns Holger. 2017. “The Temporality of (Un|Non)Selection.” In Proceedings of 5th Conference on Computation, Communication, Aesthetics & X (XCoAx), edited by Luísa Ribas, André Rangel, Mario Verdicchio, and Miguel Carvalhais, 162–70. Porto: Universidade do Porto. http://2017.xcoax.org/pdf/xCoAx2017-Rutz.pdf
    @inproceedings{rutz2017temporality,
      author = {Rutz, Hanns Holger},
      title = {The Temporality of (un|non)selection},
      booktitle = {Proceedings of 5th Conference on Computation, Communication, Aesthetics \& X (xCoAx)},
      editor = {Ribas, Luísa and Rangel, André and Verdicchio, Mario and Carvalhais, Miguel},
      address = {Porto},
      publisher = {Universidade do Porto},
      pages = {162--170},
      year = {2017},
      url = {http://2017.xcoax.org/pdf/xCoAx2017-Rutz.pdf}
    }
    
  • Rutz, Hanns Holger, and Robert Höldrich. 2017. “A Sonification Interface Unifying Real-Time and Offline Processing.” In Proceedings of the 14th Sound and Music Computing Conference (SMC), edited by Tapio Lokki, Jukka Pätynen, and Vesa Välimäki, 50–57. Espoo: Aalto University. doi: 10.5281/zenodo.1401879
    @inproceedings{rutz2017sonification,
      author = {Rutz, Hanns Holger and Höldrich, Robert},
      title = {{A Sonification Interface Unifying Real-Time and Offline Processing}},
      booktitle = {Proceedings of the 14th {S}ound and {M}usic {C}omputing {C}onference ({SMC})},
      editor = {Lokki, Tapio and Pätynen, Jukka and Välimäki, Vesa},
      address = {Espoo},
      publisher = {Aalto University},
      isbn = {978-952-60-3729-5},
      pages = {50--57},
      year = {2017},
      doi = {10.5281/zenodo.1401879}
    }
    
  • Rutz, Hanns Holger. 2016. “Marking a Space of Algorithmicity.” In Proceedings of 4th Conference on Computation, Communication, Aesthetics & X (XCoAx), edited by Mario Verdicchio, Alison Clifford, André Rangel, and Miguel Carvalhais, 29–42. Porto: Universidade do Porto. http://2016.xcoax.org/pdf/xcoax2016-Rutz.pdf
    @inproceedings{rutz2016marking,
      author = {Rutz, Hanns Holger},
      title = {Marking a Space of Algorithmicity},
      booktitle = {Proceedings of 4th Conference on Computation, Communication, Aesthetics \& X (xCoAx)},
      editor = {Verdicchio, Mario and Clifford, Alison and Rangel, André and Carvalhais, Miguel},
      address = {Porto},
      publisher = {Universidade do Porto},
      isbn = {978-989-746-094-4},
      pages = {29--42},
      year = {2016},
      url = {http://2016.xcoax.org/pdf/xcoax2016-Rutz.pdf}
    }
    
  • Rutz, Hanns Holger, and David Pirrò. 2016. “Anemone Actiniaria.” In Proceedings of 4th Conference on Computation, Communication, Aesthetics & X (XCoAx), edited by Mario Verdicchio, Alison Clifford, André Rangel, and Miguel Carvalhais, 404–8. Porto: Universidade do Porto. http://2016.xcoax.org/pdf/xcoax2016-RutzPirro.pdf
    @inproceedings{rutz2016anemone,
      author = {Rutz, Hanns Holger and Pirrò, David},
      title = {Anemone Actiniaria},
      booktitle = {Proceedings of 4th Conference on Computation, Communication, Aesthetics \& X (xCoAx)},
      editor = {Verdicchio, Mario and Clifford, Alison and Rangel, André and Carvalhais, Miguel},
      address = {Porto},
      publisher = {Universidade do Porto},
      isbn = {978-989-746-094-4},
      pages = {404--408},
      year = {2016},
      url = {http://2016.xcoax.org/pdf/xcoax2016-RutzPirro.pdf}
    }
    
  • Rutz, Hanns Holger, Katharina Vogt, and Robert Höldrich. 2015. “The SysSon Platform: A Computer Music Perspective of Sonification.” In Proceedings of the 21st International Conference on Auditory Display (ICAD), edited by Katharina Vogt, Areti Andreopoulou, and Visda Goudarz, 188–92. Graz. http://hdl.handle.net/1853/54126
    @inproceedings{rutz2015sysson,
      author = {Rutz, Hanns Holger and Vogt, Katharina and Höldrich, Robert},
      title = {The {SysSon} Platform: A computer music perspective of sonification},
      booktitle = {Proceedings of the 21st International Conference on Auditory Display (ICAD)},
      editor = {Vogt, Katharina and Andreopoulou, Areti and Goudarz, Visda},
      pages = {188--192},
      address = {Graz},
      isbn = {978-3-902949-01-1},
      year = {2015},
      url = {http://hdl.handle.net/1853/54126}
    }
    
  • Rutz, Hanns Holger. 2014. “Sound Processes: A New Computer Music Framework.” In Proceedings of the Joint 11th Sound and Music Computing Conference and the 40th International Computer Music Conference, edited by Anastasia Georgaki and Georgios Kouroupetroglou, 1618–26. Athens: National and Kapodistrian University of Athens. http://hdl.handle.net/2027/spo.bbp2372.2014.245
    @inproceedings{rutz2014sound,
      author = {Rutz, Hanns Holger},
      title = {Sound Processes: A New Computer Music Framework},
      booktitle = {Proceedings of the Joint 11th Sound and Music Computing Conference and the 40th International Computer Music Conference},
      editor = {Georgaki, Anastasia and Kouroupetroglou, Georgios},
      publisher = {National and Kapodistrian University of Athens},
      address = {Athens},
      pages = {1618--1626},
      year = {2014},
      url = {http://hdl.handle.net/2027/spo.bbp2372.2014.245}
    }
    
  • Goudarzi, Visda, Hanns Holger Rutz, and Katharina Vogt. 2013. “User Centered Audio Interface for Climate Science.” In Proceedings of the 4th Interactive Sonification Workshop, 17–20. Erlangen.
    @inproceedings{goudarzi2013user,
      author = {Goudarzi, Visda and Rutz, Hanns Holger and Vogt, Katharina},
      title = {User Centered Audio Interface for Climate Science},
      booktitle = {Proceedings of the 4th Interactive Sonification Workshop},
      address = {Erlangen},
      year = {2013},
      pages = {17--20}
    }
    
  • Rutz, Hanns Holger, Katherina Vogt, Visda Goudarzi, Martin Jury, and Andrea K. Steiner. 2013. “SysSon: A Systematic Design for the Sonification of Radio Occultation Data.” In Joint OPAC-5 & IROWG-3 International Workshop on Occultations for Probing Atmosphere and Climate. Leibnitz, AT.
    @inproceedings{rutz2013sysson,
      author = {Rutz, Hanns Holger and Vogt, Katherina and Goudarzi, Visda and Jury, Martin and Steiner, Andrea K.},
      title = {{SysSon:} A Systematic Design for the Sonification of Radio Occultation Data},
      booktitle = {Joint OPAC-5 \& IROWG-3 International Workshop on Occultations for Probing Atmosphere and Climate},
      address = {Leibnitz, AT},
      year = {2013}
    }
    
  • Rutz, Hanns Holger. 2012. “A Reactive, Confluently Persistent Framework for the Design of Computer Music Systems.” In Proceedings of the 9th Sound and Music Computing Conference (SMC), 121–29. Copenhagen.
    @inproceedings{rutz2012reactive,
      author = {Rutz, Hanns Holger},
      title = {{A Reactive, Confluently Persistent Framework for the Design of Computer Music Systems}},
      booktitle = {Proceedings of the 9th Sound and Music Computing Conference (SMC)},
      address = {Copenhagen},
      pages = {121--129},
      year = {2012}
    }
    
  • ———. 2012. “Sound Similarity as Interface between Human and Machine in Electroacoustic Composition.” In Proceedings of the 38th International Computer Music Conference, edited by Matija Marolt, Martin Kaltenbrunner, and Miha Ciglar, 212–19. Ljubljana: IRZU Institute for Sonic Arts Research. http://hdl.handle.net/2027/spo.bbp2372.2012.039
    @inproceedings{rutz2012sound,
      author = {Rutz, Hanns Holger},
      title = {{Sound Similarity as Interface between Human and Machine in Electroacoustic Composition}},
      booktitle = {Proceedings of the 38th International Computer Music Conference},
      editor = {Marolt, Matija and Kaltenbrunner, Martin and Ciglar, Miha},
      publisher = {IRZU Institute for Sonic Arts Research},
      address = {Ljubljana},
      pages = {212--219},
      year = {2012},
      url = {http://hdl.handle.net/2027/spo.bbp2372.2012.039}
    }
    
  • ———. 2011. “Limits of Control.” In Proceedings of the 8th Sound and Music Computing Conference (SMC), edited by Serena Zanolla, Federico Avanzini, Sergio Canazza, and Amalia de Götzen, 155–60. Padova: Padova University Press.
    @inproceedings{rutz2011limits,
      author = {Rutz, Hanns Holger},
      title = {{Limits of Control}},
      booktitle = {Proceedings of the 8th Sound and Music Computing Conference (SMC)},
      editor = {Zanolla, Serena and Avanzini, Federico and Canazza, Sergio and de Götzen, Amalia},
      publisher = {Padova University Press},
      address = {Padova},
      pages = {155--160},
      year = {2011}
    }
    
  • Rutz, Hanns Holger, Eduardo Miranda, and Gerhard Eckel. 2011. “Reproducibility and Random Access in Sound Synthesis.” In Proceedings of the 37th International Computer Music Conference, 515–22. Huddersfield. http://hdl.handle.net/2027/spo.bbp2372.2011.104
    @inproceedings{rutz2011reproducibility,
      author = {Rutz, Hanns Holger and Miranda, Eduardo and Eckel, Gerhard},
      title = {{Reproducibility and Random Access in Sound Synthesis}},
      booktitle = {Proceedings of the 37th International Computer Music Conference},
      address = {Huddersfield},
      pages = {515--522},
      year = {2011},
      url = {http://hdl.handle.net/2027/spo.bbp2372.2011.104}
    }
    
  • Rutz, Hanns Holger. 2010. “Rethinking the SuperCollider Client...” In Proceedings of the SuperCollider Symposium. Berlin.
    @inproceedings{rutz2010rethinking,
      author = {Rutz, Hanns Holger},
      title = {{Rethinking the SuperCollider Client...}},
      booktitle = {Proceedings of the SuperCollider Symposium},
      address = {Berlin},
      year = {2010}
    }
    
  • Rutz, Hanns Holger, Eduardo Miranda, and Gerhard Eckel. 2010. “On the Traceability of the Compositional Process.” In Proceedings of the 7th Sound an Music Computing Conference (SMC), 38:1–38:7. Barcelona.
    @inproceedings{rutz2010traceability,
      author = {Rutz, Hanns Holger and Miranda, Eduardo and Eckel, Gerhard},
      title = {{On the Traceability of the Compositional Process}},
      booktitle = {Proceedings of the 7th Sound an Music Computing Conference (SMC)},
      address = {Barcelona},
      pages = {38:1--38:7},
      year = {2010}
    }
    
  • Gulden, Jens, and Hanns Holger Rutz. 2007. “Proposal for an XML Format Representing Time, Positions and Parts of Audio Waveforms.” In Proceedings of the Linux Audio Conference, 1–12. Berlin.
    @inproceedings{gulden2007proposal,
      author = {Gulden, Jens and Rutz, Hanns Holger},
      title = {Proposal for an XML format representing Time, Positions and Parts of Audio Waveforms},
      booktitle = {Proceedings of the Linux Audio Conference},
      address = {Berlin},
      year = {2007},
      pages = {1--12}
    }