Writings

Below is a list of artistic and academic publications. Please visit my profile at Academia.edu for links to full-text PDFs.

Essays and Artistic Writings

  • Castillo, Nayarí, Gertrude Grossegger, and Hanns Holger Rutz. 2017. “Schwärmen + Vernetzen. Transdisziplinäres Kunstprojekt.” Lichtungen. Zeitschrift Für Literatur, Kunst Und Zeitkritik XXXVIII (151): 155–70.
  • Rutz, Hanns Holger. 2017. “Escaping, Prolonging.” In Imperfect Reconstruction. An Algorithmic Project by Lisa Horvath, David Pirrò, Hanns Holger Rutz, 56–59. Graz: esc media art laboratory.
  • Rutz, Hanns Holger, and David Pirrò. 2017. “Where Sounds Dwell.” In Rose of the Winds (Catalogue), edited by Kate Howlett-Jones and Nayarí Castillo, 74–79. Graz.
  • Rutz, Hanns Holger. 2014. “Particularities and Generalities. Considerations on the Sound Composition.” Forecast:Turbulence. Workshop:Exhibition, 64–67.
  • ———. 2012. “Composing Alongside Paradoxes.” Explore Dream Discover: Journal of the Peninsula Contemporary Music Festival, 5.

Academic Writings

Book Chapters

  • Rutz, Hanns Holger. 2018. “Algorithms under Reconfiguration.” In Transpositions, edited by Michael Schwab. Aesthetico-Epistemic Operators in Artistic Research. Leuven: Leuven University Press.
  • Harnik, Elisabeth, Hanns Holger Rutz, and Gerhard Nierhaus. 2015. “Elisabeth Harnik/Improvisational Re-Assemblies.” In Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition, edited by Gerhard Nierhaus, 9–32. New York: Springer. doi:10.1007/978-94-017-9561-6_2.
  • Reiter, Eva, Hanns Holger Rutz, and Gerhard Nierhaus. 2015. “Eva Reiter/Wire Tapping the Machine.” In Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition, edited by Gerhard Nierhaus, 59–84. New York: Springer. doi:10.1007/978-94-017-9561-6_4.
  • Sköld, Matthias, Hanns Holger Rutz, and Gerhard Nierhaus. 2015. “Matthias Sköld/A Topography of Personal Preferences.” In Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition, edited by Gerhard Nierhaus, 209–29. New York: Springer. doi:10.1007/978-94-017-9561-6_10.
  • Toufektsis, Orestis, Hanns Holger Rutz, and Gerhard Nierhaus. 2015. “Orestis Toufektsis/Chords in a Black Box.” In Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition, edited by Gerhard Nierhaus, 165–87. New York: Springer. doi:10.1007/978-94-017-9561-6_8.
  • Rutz, Hanns Holger. 2011. “SwingOSC.” In The SuperCollider Book, edited by Scott Wilson, David Cottle, and Nick Collins, 305–38. Cambridge, MA: MIT Press.

Journal Articles

  • Rutz, Hanns Holger. 2017. “Halting Operations for Algorithmic Alignment.” Journal of Science and Technology of the Arts (CITAR) 9 (3): 7–20. doi:10.7559/citarj.v9i3.416.
  • ———. 2016. “Agency and Algorithms.” Journal of Science and Technology of the Arts (CITAR) 8 (1): 73–83. doi:10.7559/citarj.v8i1.223.

PhD Thesis

  • Rutz, Hanns Holger. 2014. “Tracing the Compositional Process. Sound Art That Rewrites Its Own Past: Formation, Praxis and a Computer Framework.” PhD thesis, UK: Plymouth University. http://hdl.handle.net/10026.1/3116.

Conference Papers (Peer-Reviewed)

  • Rutz, Hanns Holger. 2017. “The Temporality of (Un|Non)Selection.” In Proceedings of 5th Conference on Computation, Communication, Aesthetics & X (XCoAx), edited by Luísa Ribas, André Rangel, Mario Verdicchio, and Miguel Carvalhais. Porto: Universidade do Porto.
  • Rutz, Hanns Holger, and Robert Höldrich. 2017. “A Sonification Interface Unifying Real-Time and Offline Processing.” In Proceedings of the 14th Sound and Music Computing Conference (SMC). Espoo.
  • Rutz, Hanns Holger. 2016. “Marking a Space of Algorithmicity.” In Proceedings of 4th Conference on Computation, Communication, Aesthetics & X (XCoAx). Bergamo.
  • Rutz, Hanns Holger, Katharina Vogt, and Robert Höldrich. 2015. “The SysSon Platform: A Computer Music Perspective of Sonification.” In Proceedings of the 21st International Conference on Auditory Display (ICAD), 188–92. Graz. http://hdl.handle.net/1853/54126.
  • Rutz, Hanns Holger. 2014. “Sound Processes: A New Computer Music Framework.” In Proceedings of the Joint 11th Sound and Music Computing Conference and the 40th International Computer Music Conference, edited by Anastasia Georgaki and Georgios Kouroupetroglou, 1618–26. Athens: National and Kapodistrian University of Athens. http://hdl.handle.net/2027/spo.bbp2372.2014.245.
  • Goudarzi, Visda, Hanns Holger Rutz, and Katharina Vogt. 2013. “User Centered Audio Interface for Climate Science.” In Proceedings of the 4th Interactive Sonification Workshop, 17–20. Erlangen.
  • Rutz, Hanns Holger, Katherina Vogt, Visda Goudarzi, Martin Jury, and Andrea K. Steiner. 2013. “SysSon: A Systematic Design for the Sonification of Radio Occultation Data.” In Joint OPAC-5 & IROWG-3 International Workshop on Occultations for Probing Atmosphere and Climate. Leibnitz, AT.
  • Rutz, Hanns Holger. 2012. “A Reactive, Confluently Persistent Framework for the Design of Computer Music Systems.” In Proceedings of the 9th Sound and Music Computing Conference (SMC), 121–29. Copenhagen.
  • ———. 2012. “Sound Similarity as Interface between Human and Machine in Electroacoustic Composition.” In Proceedings of the 38th International Computer Music Conference, edited by Matija Marolt, Martin Kaltenbrunner, and Miha Ciglar, 212–19. Ljubljana: IRZU Institute for Sonic Arts Research. http://hdl.handle.net/2027/spo.bbp2372.2012.039.
  • ———. 2011. “Limits of Control.” In Proceedings of the 8th Sound and Music Computing Conference (SMC), edited by Serena Zanolla, Federico Avanzini, Sergio Canazza, and Amalia de Götzen, 155–60. Padova: Padova University Press.
  • Rutz, Hanns Holger, Eduardo Miranda, and Gerhard Eckel. 2011. “Reproducibility and Random Access in Sound Synthesis.” In Proceedings of the 37th International Computer Music Conference, 515–22. Huddersfield. http://hdl.handle.net/2027/spo.bbp2372.2011.104.
  • Rutz, Hanns Holger. 2010. “Rethinking the SuperCollider Client...” In Proceedings of the SuperCollider Symposium. Berlin.
  • Rutz, Hanns Holger, Eduardo Miranda, and Gerhard Eckel. 2010. “On the Traceability of the Compositional Process.” In Proceedings of the 7th Sound an Music Computing Conference (SMC), 38:1–38:7. Barcelona.
  • Gulden, Jens, and Hanns Holger Rutz. 2007. “Proposal for an XML Format Representing Time, Positions and Parts of Audio Waveforms.” In Proceedings of the Linux Audio Conference, 1–12. Berlin.